Notes from Tuition Sessions

Pinsharpstudios.uk

Photography Notes

General & Practical

Aspects of photography which are worthy of consideration and a working checklist to help achieve what you are seeking when out with a camera.

Cutting out the Peg Box

  • Work within the area of your main photographic interests - wildlife, landscapes, urban scapes, street images, black and white, horticulture, still life, portraiture, documentary or whatever motivates you and photography.

  • Study other photographers of the genre that inspires you.

  • When going out on a specific photography trip or adventure, write down/ sketch out a framework of the main images you would like to capture (subjects, individual species or just generic subject elements). Keep a notebook for the coffee breaks.

  • Take time to assess the locality, the surroundings and general environment, with wildlife watch quietly see what is moving within the vision/image capture range. Beyond this in urban or populated locations, movement of people/interaction/conversation.

  • Assess the light conditions/time of day/year/season. That will have a significant impact on landscape images, overall lighting, how animals and birds behave. Assess urban architecture and light/shadows/reflections.

  • Look at the light angles, direction, intensity - convention suggests that you should not generally shoot against the light. You can but it must be done creatively - and you need to be in complete control of the trinity - ISO/Shutter/Aperture.

  • Position as far as possible, to achieve the most creative lighting & composition for an image and experiment around this once a few images have been taken.

  • Light has magical qualities, shadows can be used to enhance an isolated image, adding space, depth, context, layers and perspective.

  • Think about image composition, the subject does not need to be dead centre, look at what else could be included or excluded from the frame.

  • Less is more - an often referred to aspect, but true.

  • In assessing composition for a potential image consider - framing position, context, juxtaposition, space, movement, scale, layers and look to consider if an image within an image exists.

  • Avoid standing eye level shooting all the time, think about higher or lower shooting positions.

__________________

Nigel Housden                  September 2026

Viola front - 5,000 year old bog oak.

Next
Next

The Black Oak Violin